我認為作為一個好的設(shè)計師，不應(yīng)該局限于自己的專業(yè)領(lǐng)域，在這個全球化的時代我們更應(yīng)該走在專業(yè)融合的前沿。因此，我在構(gòu)思作品時，總是受到服裝，材料和不同設(shè)計領(lǐng)域美學(xué)風(fēng)格的影響。比如在《臨時展廳》中，為品牌建立快閃店，它是展示品牌風(fēng)格和產(chǎn)品的臨時場所。因此在這個項目中，使用可回收的材料，以免展館拆除后對環(huán)境造成污染。我選擇了鋼絲作為結(jié)構(gòu)，它輕便靈活，可以模仿布料的褶皺。鐵絲網(wǎng)的縫隙可以讓光線穿過，這接近我想象的半透明室內(nèi)照明。在鋼絲網(wǎng)的外層，我用融化的蠟鑄造不同的紋理。蠟干后會形成不同的紋理。鋼絲網(wǎng)外部澆鑄的蠟可以控制室內(nèi)的采光，蠟的厚度控制室內(nèi)光線的強度，在陽光下可以形成不同的陰影。建筑形態(tài)很輕盈，大部分是圓形的。這個項目的最終模型不是一個工程模型，更像是一個雕塑模型。我想讓這個模型看起來很輕，所以我使用了很多彎曲的元素，而內(nèi)部空間我想要明亮的感覺，所以即使外面包裹著蠟，它仍然可以讓陽光進來

I think that as good designers, we should not be limited to our own professional field. In this era of globalization, we should be at the forefront of professional integration. Therefore, when I conceive my work, I am always influenced by the clothing, materials, and aesthetics of different design fields. For example, in "TEMPORARY PAVILION", a pop-up store is established for the brand, which is a temporary place to display the brand's style and products. Therefore, in this project, I use recyclable materials to avoid pollution to the environment after the pavilion is dismantled. I chose steel wire for the structure, which is light and flexible and mimics the folds of fabric. The gaps in the barbed wire allow light to pass through, which is close to what I imagine translucent interior lighting to be. On the outer layer of the wire mesh, I cast different textures with melted wax. Different textures develop as the wax dries. The wax cast on the outside of the steel mesh can control the lighting in the room, the thickness of the wax controls the intensity of the light in the room and can form different shadows in the sun. The building form is light and mostly circular. The final model of this project is not an engineering model, more like a sculptural model. I wanted this model to look light, so I used a lot of curved elements, and the interior space I wanted to feel bright, so even though the outside was wrapped in wax, it would still let the sunlight in.