我今年申請(qǐng)上了紐約大學(xué)帝勢(shì)藝術(shù)學(xué)院。一直以來(lái)我都非常喜歡數(shù)字媒體與電影制作。在我大學(xué)的申請(qǐng)準(zhǔn)備中，我創(chuàng)作了第一部關(guān)于探索家鄉(xiāng)上海的紀(jì)錄片。受到上海城市快速更迭的吸引，我希望能通過(guò)老一輩人與Z時(shí)代年輕人兩個(gè)不同的視角來(lái)講述城市故事。影片的編輯風(fēng)格也試圖在突出這兩個(gè)群體人本身的對(duì)比，因而延伸至城市變革的對(duì)比。在將近三個(gè)月的時(shí)間里我自己負(fù)責(zé)了制片、導(dǎo)演、拍攝、選角的所有步驟。同樣在我創(chuàng)作的《我舞蹈因?yàn)槲冶瘋愤@部短片中，選擇以一位舞者為主角。兩部作品我都嘗試探索不同的電影制作過(guò)程的美學(xué)風(fēng)格，以一種平靜、緩慢的節(jié)奏循循漸進(jìn)的講述我想表達(dá)的故事。

I am accepted by Collaborative arts in Tisch, NYU. I am always very interested in digital media and filmmaking. Therefore, throughout my application process, I have created my first documentary piece exploring my hometown Shanghai. I am always fascinated by the idea of gentrification within the city. Therefore, I have created this documentary exploring the idea of gentrification via the perspective of visual story telling from two generation. The Older generation vs GEN Z. The editing style within my film also reflected the contrast between the two groups of people. I have produced, directed, shot, casted my film myself over a span of 3 months. As for my other short film ‘ I dance because I am lost’， it is based on a dancer. I wanted to experiment the different use of aesthetic within film making therefore documentaries are used very calming and slow pace as well as following a narrative approach.