Contemporary jewellery breaks the traditional definition of traditional jewellery by not only using precious metals and diamonds as the main material. Instead, everything can be used as the material of the design. Jewellery design becomes a medium to express the author's own feeling, thoughts and perspectives towards the society through continuous experiments, creation, thinking, and hand making.

In my work <Dream city>, I told a story of a non-existent city. So, I used the projector as a unique wearable way of the jewellery. I used the light to reflect the city silhouette on the wearer’s body and the size of the shadow can be changed according to the colour of the light and the distance.

I kept trying to use novel materials in different creation. In my latest creation <Accompany>, I tried to combine the rabbit hair and grass to commemorate the wonderful time that my pet rabbit has brought me. After a great amount of experimental explorations, I finally made four pieces of jewellery, which encouraged the audience to feel the smooth oAf the rabbit fur and delightful fragrance of the grass.

The different characteristics of different materials and ordinary things in life can bring us some special surprise, which has also become my best resource of creation.

當(dāng)代首飾的概念突破了以貴金屬為主要材料的傳統(tǒng)首飾的概念。相反，任何東西都可以作為材料本身來(lái)使用。通過(guò)不斷的實(shí)驗(yàn)、創(chuàng)作、思考和手工制作，首飾成為了表達(dá)創(chuàng)作者感情、思想以及對(duì)社會(huì)看法的一種媒介。

在我的作品《Dream city》中，我講述了一個(gè)關(guān)于不存在的城市的故事。我使用投影的方式作為這件首飾獨(dú)特的佩戴方式。我將城市剪影通過(guò)光線照射到佩戴者的身上，并且可以根據(jù)光線的顏色和距離來(lái)改變影子在人身體上的大小。

我一直在不同的創(chuàng)作中嘗試創(chuàng)新的材料。在我的最近的作品《陪伴》里，我嘗試了兔毛和兔子草料的結(jié)合來(lái)紀(jì)念寵物兔給我?guī)?lái)的快樂(lè)時(shí)光。通過(guò)不斷的實(shí)驗(yàn)探索，我最終完成了四件作品，并通過(guò)材料的特點(diǎn)鼓勵(lì)觀眾感受兔毛的順滑與兔草的清香。

不同材料的特性與生活中一些平凡的事情可以給我們帶來(lái)特別的驚喜，而這也是我不斷創(chuàng)作的源泉。