奢侈品牌不僅僅是高質產品的代表，它們傳遞的是一種文化、一種態度和一種生活方式。我渴望深入理解這些品牌背后的故事，學習如何維護其獨特性和高端形象，同時吸引并保持忠實客戶群。

我的研究聚焦于中國珠寶市場，在預科期間，我展開了《中國中小型珠寶賣家類型調研》、《丹麥銀器Georg Jensen 喬治·賈森（Georg Jensen）的中國的市場現狀》、《中國目前紅藍寶石收藏與投資產業現狀》這三個主題的研究。《中國中小型珠寶賣家類型調研》對比了國內不同規模的珠寶商家的運營方式包括產品類型、價位、消費群等；《中國目前紅藍寶石收藏與投資產業現狀》調研關注于300,000人民幣左右的寶石消費群體，收集了相關信息包括現代寶石收藏產業的歷史和趨勢分析、網絡線上、線下寶石交易的現狀，以及對于買家和賣家的采訪。

喬治·賈森是來自丹麥的首飾品牌，也推出了銀質餐具產品線，有著悠久的歷史和良好的口碑，但在中國知名度較低且銀器更為出名。就此現象我展開了對該品牌的調研：品牌在中國媒體的宣傳更注重銀器產品；對比同位品牌tiffany的其宣傳手段較為單調。但喬治·賈森依然有繼續擴展愿望。對此我的建議是開發一些迎合中國市場的設計款式；設立線下店或線下的體驗空間，加深大眾對品牌的影響，提高各產品的曝光率，線下空間也更方便客戶直接感受或試用產品。在品牌宣傳上加強品牌文化的營銷以此吸引更多客戶。

ZHAO Peiteng

Luxury Brand Management 

Luxury brands embody more than just superior products; they signify a distinct culture, attitude, and lifestyle. I am keen to delve into the narratives surrounding these brands to understand how they uphold their exclusivity and premium status, all while captivating and retaining a devoted clientele.

My research focuses on the Chinese jewelry market. During my Pre-Master stage, I conducted three research projects: one on the various types of small to medium-scale jewelry sellers in China, another on the market of Danish silverware brand Georg Jensen in China, and a third on the current status of China's ruby and sapphire collector and investment industry.

In the first project, I compared how Chinese jewelry sellers of different scales operate their businesses, including their product types, price ranges, and customer demographics. In the second project, I surveyed gemstone customers with a budget of approximately CNY 300,000. I collected information on the background history and trends of the gemstone market in China from the modern age, as well as the current status of gemstone trading both online and in physical stores, through interviews with buyers and sellers.

Georg Jensen, a Danish jewelry brand renowned for its long history and sterling reputation, has primarily gained recognition in China for its silver tableware products. In contrast to its global stature, its influence in China remains relatively modest. Through my research, I examined the brand's marketing strategies in the Chinese market, which predominantly emphasized its silverware line. Unlike Tiffany, a comparable brand with broader marketing approaches, Georg Jensen's efforts appeared somewhat repetitive.