時(shí)尚是具有包容性的產(chǎn)業(yè)，其獨(dú)特的魅力在于我們可以使用不一樣的方式表達(dá)對(duì)于社會(huì)問(wèn)題的觀點(diǎn)。

《派對(duì)之后》這個(gè)項(xiàng)目的靈感來(lái)自我的日常生活。當(dāng)下，有許多Z世代的年輕人有著很強(qiáng)的社交屬性但是內(nèi)心卻是孤獨(dú)的。高頻的社交讓她們無(wú)法獲得知心朋友，聚會(huì)燈光下的笑臉在人群散去后就會(huì)迅速變得失落。只有她們自己知道自己的孤獨(dú)。刺激的聚會(huì)就像煙和酒，產(chǎn)生短暫的麻痹，散場(chǎng)后的孤獨(dú)感更勝以前。在作品中，我希望通過(guò)聚會(huì)的熱鬧和聚會(huì)后的垃圾的對(duì)比，來(lái)表達(dá)出年輕人在聚會(huì)中和散場(chǎng)后內(nèi)心的反差，讓更多人注意到外向孤獨(dú)患者這個(gè)群體。《母親的肚子》靈感：和母親在水上樂(lè)園玩樂(lè)的過(guò)程，讓我回憶起兒時(shí)與她一起玩水的記憶。第一次玩水上項(xiàng)目時(shí)，母親鼓勵(lì)我給予我勇氣，她環(huán)抱著我和我一起沖下水上滑梯，讓我感受到了強(qiáng)烈的安全感。母親的保護(hù)和水的包容性讓我聯(lián)想到了母親的肚子和生命孕育的過(guò)程。我希望通過(guò)這個(gè)作品表達(dá)對(duì)母親的感激，喚起更多人對(duì)女性的關(guān)愛(ài)。《新冠萬(wàn)圣節(jié)》靈感來(lái)源于我的三年防疫生活，在新冠中人們對(duì)于疫情防控的看法和印象，發(fā)現(xiàn)在疫情的過(guò)度防控中，人們對(duì)防疫的印象及心理的轉(zhuǎn)變。 調(diào)研到1918和2019年發(fā)生的疫情，人們進(jìn)行的過(guò)度防疫行為進(jìn)行對(duì)比。

對(duì)我來(lái)說(shuō)時(shí)尚，藝術(shù)創(chuàng)造和日常生活是密不可分的，生活是一段充滿探索、不斷學(xué)習(xí)和不斷進(jìn)步的旅程。

Fashion is an inclusive industry, and its unique charm lies in the ability to express our opinions about social phenomena in various ways.

The <AFTER PARTY> project was inspired by my daily life. Currently, many Gen Z-ers are highly social but often feel lonely. Frequent socializing prevents them from forming close friendships, and the smiling faces seen under party lights quickly fade away once the crowd disperses. Only they know how lonely they truly are. Exciting parties, like cigarettes and alcohol, provide temporary distractions, leaving them feeling even more isolated than before. Through this work, I aim to portray the contrast between the inner feelings of young people during parties and the aftermath of those parties by juxtaposing the liveliness of the events with the discarded remnants. My goal is to draw more attention to this group of extroverted yet lonely individuals.

The inspiration for <MOTHER'S BELLY> came from playing with my mother at a water park, which brought back memories of our childhood playtime together. The first time I engaged in water activities, my mother encouraged and supported me, giving me the courage to participate. She embraced me and slid down the water slide with me, creating a strong sense of security. The protection of a mother and the inclusive nature of water reminded me of the safe and nurturing environment within a mother's womb and the miracle of life itself. Through this work, I aim to express my gratitude to my mother and raise awareness and concern for women.

<Covid-19 Halloween> was inspired by my three-year experience of living through the pandemic. During COVID-19, people's perceptions and attitudes towards epidemic prevention and control have undergone significant changes. We have observed that excessive measures for prevention and control have influenced people's impressions and brought about psychological transformations. By examining the epidemics of 1918 and 2019, we can compare people's preparedness and response to these crises.

For me, fashion, artistic creation, and daily life are intertwined. Life is a journey of exploration, continuous learning, and ongoing progress.